And the fact remains: Even in those rooms where I can relate to the music, I often can’t relate to the gear. I can’t afford it and, quite honestly, even if I could, I doubt I’d ever want to spend so much of my money on hi-fi equipment. There are things I love more: family, friends, music, and food, for instance. (Not to mention listening to music and eating food with family and friends.)
Thank goodness, then, for Music Hall, a company that consistently provides good sound and great music through products that almost invariably represent outstanding valueproducts that bring the hi-fi hobby down to earth, products that my family, friends, and I can actually afford.
While many exhibitors highlight their expensive systems and relegate their more affordable products to dark corners and silent displays, Music Hall consistently takes a different approach. The company’s Roy Hall and Leland Leard were anxious to show off their most affordable products. In the context of any hi-fi show, but especially the Consumer Electronics Show, this approach seems courageous, bold, and extremely cool. Leard eagerly directed me to a system fronted by Music Hall’s USB-1 turntable ($249.99) equipped with the company’s new Magic 2 MM cartridge ($150). The ’table sent signals directly into the phono stage of Music Hall’s A70.2 integrated amp ($1499). Speakers were Music Hall’s mighty Marimbas ($349/pair), which were placed on the company’s new speaker stands ($250/pair; made in the US).
The sound was excellentwarm, detailed, engaging, and, most of all, fun.
Music Hall also introduced their compact, attractive WCS-2 record-cleaning machine ($595). Roy Hall admitted that the WCS (“Wets, Cleans, Sucks”) runs very loud, but joked: “Do we sell a product that really works, but makes audiophiles deaf? I’m considering including earplugs with every unit.” According to Hall, what makes the WCS-2 special is its powerful, 1200W motor, which enables the machine to dry records with only a single revolution. So, while it may be loud, at least it gets the job done fast.
You may want to play those just-cleaned records on Music Hall’s beautiful new Ikura turntable. James Kyroudis, Music Hall customer and Chicago-based industrial designer, is largely responsible for the turntable’s sleek, modern look. Says Hall: “We wanted a design that better distinguished us from everybody else.”
In NYC, Ikura is a great little Japanese restaurant on 1st Avenue in the East Village. In cuisine, Ikura refers to salmon roe (yum); the turntable, then, takes its name from the spiraling patterns of dots that decorate the uppermost level of the split-plinth design. The ’table uses a Pro-Ject carbon-fiber tonearm and will be available in either black-on-black or black-on-white finishes. Look for it sometime this April with a price tag of around $900-$1000.
People sometimes ask if I’m satisfied reviewing affordable equipment, or whether I think there’s enough of it out there to keep me busy. Happily, thanks in part to Music Hall, the answer to both those questions is yes, without a doubt yes. Sam Tellig raved about the Music Hall Marimbas in our December 2012 issue, and I’ll do a “Follow-Up” in a future issue. I’ve got a pair of the new Music Hall speaker stands coming in, and I’ll keep the Magic 2 phono cartridge in mind for my friends Natalie and Kristen, both of whom have been spinning lots of used and new vinyl on their USB-1 turntables. Birthdays are coming up. With the money saved, I’ll take the girls out for dinner. Japanese, perhaps.
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