Wilson Audio Specialties Alexandria XLF loudspeaker

The Wilson Audio Specialties Alexandra XLF costs $200,000/pair. So does a Ferrari. Perhaps if Wilson Audio Specialties sold as many pairs of XLFs...
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Devialet D-Premier D/A integrated amplifier

Most reviews are straightforward. One preamplifier or power amplifier replaces another. DACs are swapped out. A new pair of speakers takes up residence...
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Sonic Youth, the Eternal

Crystal Castles: (III)

Pallbearer: Sorrow and Extinction (Profound Lore)

DIIV: Oshin (Captured Tracks)

How To Dress Well: Total Loss (Acephale)

Purity Ring: Shrines (4AD)

Lee Gamble: Diversions: 1994–1996 (Pan)

Richard Skelton: Verse of Birds (Corbel Stone Press)

Charles Gayle Trio: Streets (Northern Spy)

Earth: Angels of Darkness, Demons of Light II (Southern Lord)

DVA: Pretty Ugly (Hyperdub)

Bob Dylan: The Tempest (Columbia)

Alexander Tucker: Third Mouth (Thrill Jockey)

Leonard Cohen: Old Ideas (Columbia)

Motorpsycho and Stale Storlokken: The Death Defying Unicorn (Rune Grammofon)

Jam City: Classical Curves (Night Slugs)

Mac Demarco: 2 (Captured Tracks)

Chromatics: Kill For Love (Italians Do It Better)

Killer Mike: R.A.P. Music (Williams Street)

Jessie Ware: Devotion (Island)

Death Grips: The Money Store (Epic)


Source : stereophile[dot]com
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The Road to Analog-Sounding Digital: Are We There Yet?

To say that a digital source "sounds like analog" has always struck me as coming up short. The notion that one format sounds like another is not...
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First Time Ever: Mahler Download in DSD

Just in time for the New Year, Cookie Marenco of Blue Coast Records has released the first-ever DSD (Direct-Stream-Digital) download of the San Francisco...
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There's a lady who's sure all that glitters is gold...

Here in the age when rock stars like Jagger and Richards are not only still breathing, but are now turning 70—“I’d rather be dead than sing “Satisfaction”...
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The 2011 Richard C. Heyser Memorial Lecture: "Where Did the Negative Frequencies Go?"

In the summer of 2011, Stereophile's long-time editor in chief, John Atkinson, was invited by the Technical Council of the Audio Engineering Society...
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